Different tones, one device
Seven themes ship with the device. Switch with one button. Set your default from the browser plugin, change it whenever.
01 Default
The house hand.
An editorial daybook with the red margin line as its signature. Hairline rules instead of borders. Generous whitespace, generous serif. The whole device reads like one page from a real notebook.
Set in Crimson Pro with monospace accents, on cream and ink with the margin red. Built for daily use. The calm option.
02
The week, growing.
A fifteenth-century herbal, cut for the colour panel. The week is a garden bed under cultivation: tasks are plantings, due dates are harvest days, and anything gone over is marked in red. Every ornament carries a fact — the moons are the week, the thorns are a count, the comet is a distance. Nothing on the page is decoration.
Green is identity here, and it is spent on living things and nowhere else. The one theme built for the six-colour panel.
03
Just the dots.
A bullet journal stripped to the bone. Single column, tasks as dots, dates as lines. Black and white, with the section words in blue on the colour panel. No red, no decoration, no wax seals. The most legible theme at distance, and the one that makes a busy week feel smaller.
Black on white with blue section words, and no decoration at all. Crimson Pro set sparingly. The cleanest read at distance. Finals week, or any week that needs less.
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04
Quest log, not task list.
Phosphor yellow on black. Pixel borders, monospace caps, subtle scanlines. Tasks look like the save-file screen of an old RPG. The kind that turned chores into a level worth clearing. The week is the quest list; the most overdue item is the boss you've been avoiding.
JetBrains Mono Bold in yellow on black, with red for urgent quests. For when school should feel like a save file you're trying to clear.
05
The desktop on a desk.
A black starfield, framed windows, a top menu bar, a dock. The calm of a desktop you already know how to read — pared back to black and yellow so it reads the same on every panel. For people who remember when "computer" was a friendly machine.
Yellow window frames, a dock at the bottom, a starfield behind. Crimson Pro with monospace numerals.
06
The day, gone to press.
A broadsheet front page set in pure typography. The nameplate centred, the date beneath a double rule, and the one thing that matters next running as the headline with a deck line under it. Today's remaining items fill the news columns; the week is confined to a forecast box. Zero ornament — no icons, no texture, no chrome. The visual interest is the type itself.
Black on white, closed by a red folio rule. For the reader who wants the day read to them — edited and finished, not listed.
07
The evening's reading.
A page from a fine bound book. An engraved chapter head under a gilded top edge, one wide reading measure, the week set as an appendix, and the printer's imprint closing the volume. Its identity is carried entirely in furniture — rules, bands, engraved type — never in ornament that would cost you the glance.
White paper, heavy black furniture, gilt restraint. Lamplight on the page, not a dark room. Where Edition is the morning's broadsheet, this is the volume that keeps.
The screen redraws as you go, the same e-paper refresh you'd watch on your desk.
Margin default
Five wardrobes, no commitment. Switch them with one button on the device. Set your default from the browser plugin, change it whenever the week calls for a different voice.
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